{"id":1314,"date":"2023-06-23T00:09:02","date_gmt":"2023-06-22T22:09:02","guid":{"rendered":"https:\/\/deibardiart.pdgm.fr\/decorative-art\/tete-de-vierge-couronnee-2\/"},"modified":"2023-07-27T15:57:31","modified_gmt":"2023-07-27T13:57:31","slug":"tete-de-vierge-couronnee-2","status":"publish","type":"post","link":"https:\/\/deibardiart.com\/en\/sculpture-en\/tete-de-vierge-couronnee-2\/","title":{"rendered":"T\u00eate de Vierge couronn\u00e9e"},"content":{"rendered":"\n
Sculpt\u00e9e en ronde-bosse, polychrom\u00e9e et dor\u00e9e<\/p>\n\n\n\n
Provenance :<\/p>\n\n\n\n
\n
Collection priv\u00e9e Toscane (Italie) depuis les ann\u00e9es \u201980<\/li>\n\n\n\n
Collection priv\u00e9e Paris (France) depuis les ann\u00e9es \u201960<\/li>\n<\/ul>\n\n\n\n
Beau visage aux traits fins avec yeux en amande aux paupi\u00e8res sup\u00e9rieures finement ourl\u00e9es, long nez droit, bouche aux l\u00e8vres fines avec la sup\u00e9rieure pro\u00e9minente; petit menton rond, cou fort. <\/p>\n\n\n\nT\u00eate de Vierge en pierre calcaire, d\u00e9but du XIV si\u00e8cle, Lorraine, Mus\u00e9e du Louvre, Paris (rfr 48)<\/figcaption><\/figure>\n\n\n\n
Le visage l\u00e9g\u00e8rement inclin\u00e9 et les yeux baiss\u00e9s vers la droite, cette \u00e9l\u00e9gante t\u00eate de Vierge arbore une couronne \u00e0 fleurons sertie de pierres pr\u00e9cieuses pos\u00e9e sur un voile court recouvrant en partie la chevelure ondul\u00e9e. <\/p>\n\n\n\n
L\u2019inclinaison de la t\u00eate indique que la Vierge portait dans ses bras l\u2019Enfant dont il croisait le regarde. <\/p>\n\n\n\n
La qualit\u00e9 de l\u2019execution, les traits finement dessin\u00e9s d\u00e9notent chez l\u2019imagier une suret\u00e9 de main peu commune.<\/p>\n\n\n\nVierge \u00e0 l\u2019Enfant en pierre calcaire , Lorraine, d\u00e9but du XIV si\u00e8cle, Mus\u00e9e de Cluny, Paris<\/figcaption><\/figure>\n\n\n\n
La d\u00e9coupe en \u00ab \u00e9cu \u00bb du visage encadr\u00e9e par une chevelure ondul\u00e9e et les yeux en amande sont des traits caract\u00e9ristiques des Vierges lorraines de la premi\u00e8re moiti\u00e9 du XIV si\u00e8cle. Les artistes du nord-est de la France reprennent le type \u00e9labor\u00e9 en Ile-de-France et y ajoutent des sp\u00e9cificit\u00e9s locales comme par exemple la presence du voile court, le visage aplati et expressif, le cou fort et l\u2019attitude songeuse et grave.<\/p>\n\n\n\n
On peut rapprocher cette sculpture d\u2019une Vierge \u00e0 l\u2019Enfant r\u00e9alis\u00e9e en lorraine durant la premier moiti\u00e9 du XIV si\u00e8cle, conserv\u00e9e au Metropolitan Museum de New York. <\/p>\n\n\n\nVierge \u00e0 l\u2019Enfant, Lorraine, d\u00e9but du XIV si\u00e8cle, Metropolitan Museum of Art , New York (17.120.256)<\/figcaption><\/figure>\n\n\n\n
La t\u00eate de Vierge fragmentaire expos\u00e9e au Mus\u00e9e du Louvre, bien que frontale, pr\u00e9sente des affinit\u00e9s \u00e9videntes avec notre t\u00eate : la couronne orn\u00e9e de cabochons et se terminant en fleurons retient un voile court dont les plies aplaties encadrent une chevelure aux m\u00e8ches fortement ondul\u00e9e. La forme du visage, l\u00e9g\u00e8rement triangulaire, et le cou prononc\u00e9 semblent aussi rapprocher les deux oeuvres. <\/p>\n\n\n\n
Cette t\u00eate de Vierge est remarquable par la conservation de sa polychromie d\u2019origine, avec son rose soutenu aux joue rougissantes et sa chevelure dor\u00e9e, ainsi que par la qualit\u00e9 de l\u2019execution et la suavit\u00e9 des traits. <\/p>\n\n\n\n
<\/div>\n\n\n\n
Bibliographie : <\/p>\n\n\n\n
\n
M. Aubert, Description raisonn\u00e9e des sculptures du Moyen \u00c2ge, de la Renaissance et temps Modernes, T. I, Mus\u00e9e du Louvre, Paris, 1950 ;<\/li>\n\n\n\n
F. Baron, Sculpture Fran\u00e7aise, I. Moyen \u00c2ge, cat. exp. Mus\u00e9e du Louvre, Paris, 1996, pp. 131-132 ;<\/li>\n\n\n\n
J. Boccador, E. Bresset, Statuaire m\u00e9di\u00e9vale de collection, T.II, Paris, 1972 <\/li>\n\n\n\n
J. A. Schmoll gen. Eisenwerth, Die Lothringische Skulptur des 14. Jahrhunderts, Petersberg, 2005, cat. 133, 141 et 164. <\/li>\n\n\n\n
Forsyth William H, Medieval Statues of the Virgin in Lorraine Related oil type to the Saint-Di\u00e9 Virgin. \u00ab Metropolitan Museum of Art Studies 5, no. 2 (September 1936)<\/li>\n\n\n\n
D. Gaborit-Chopin, L’Art au Temps des Rois Maudits, Paris, 1998, p. 122<\/li>\n\n\n\n
Middeldorf Ulrich, Sculptures from the Samuel H. Kress Collection: European schools, XIV-XIX century. London: Phaidon Press, 1976 p. 88<\/li>\n\n\n\n
Wixom William D., \u00ab A Gothic Madonna from Lorraine \u00bb The bulletin of the Cleveland Museum of Art 61, no. 10 (December 1974)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"
Sculpt\u00e9e en ronde-bosse, polychrom\u00e9e et dor\u00e9e Provenance : Beau visage aux traits fins avec yeux en amande aux paupi\u00e8res sup\u00e9rieures finement ourl\u00e9es, long nez droit, bouche aux l\u00e8vres fines avec la sup\u00e9rieure pro\u00e9minente; petit menton rond, cou fort. Le visage l\u00e9g\u00e8rement inclin\u00e9 et les yeux baiss\u00e9s vers la droite, cette \u00e9l\u00e9gante t\u00eate de Vierge arbore […]<\/p>\n","protected":false},"author":2,"featured_media":1153,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"class_list":["post-1314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sculpture-en"],"yoast_head":"\n
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