{"id":2514,"date":"2025-11-01T17:38:47","date_gmt":"2025-11-01T16:38:47","guid":{"rendered":"https:\/\/deibardiart.com\/?p=2514"},"modified":"2025-11-01T17:38:48","modified_gmt":"2025-11-01T16:38:48","slug":"two-figures-in-turkish-attire-possibly-suleiman-the-magnificent-at-two-different-ages","status":"publish","type":"post","link":"https:\/\/deibardiart.com\/en\/works-of-art\/two-figures-in-turkish-attire-possibly-suleiman-the-magnificent-at-two-different-ages\/","title":{"rendered":"Two Figures in Turkish Attire, Possibly Suleiman the Magnificent at two different ages"},"content":{"rendered":"\n<p>These two rare bronze statuettes represent two figures dressed in elaborate &#8220;Turkish&#8221; attire. They are mounted on alabaster bases with bronze reliefs\u2014one featuring the winged lion of Venice, and the other possibly symbolizing Turkey with a wolf depiction.<\/p>\n\n\n\n<p>One figure wears a grand k\u00fclah, a spherical turban with a cone top, signifying royal authority, while the other has a wrapped turban, denoting rank and religious identity. Their garments are richly detailed with intricate engravings, suggesting luxurious fabrics of the Ottoman court.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"684\" height=\"423\" src=\"https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/3.jpeg\" alt=\"\" class=\"wp-image-2511\" srcset=\"https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/3.jpeg 684w, https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/3-300x186.jpeg 300w\" sizes=\"(max-width: 684px) 100vw, 684px\" \/><figcaption class=\"wp-element-caption\"><sup><sub>PORTRAIT OF SULEIMAN THE MAGNIFICENT (OIL ON PANEL), ALTISSIMO, CRISTOFANO DELL&#8217; (C.1525-1605) \/ GALLERIA DEGLI UFFIZI, FLORENCE, TUSCANY, ITALY\u00a0<br>SULEIMAN THE MAGNIFICENT (1520\u20131566), PORTRAIT COLLECTION OF ARCHDUKE FERDINAND II OF TYROL (1529-1595), PICTURE GALLERY, KUNSTHISTORISCHES MUSEUM VIENNA<\/sub><\/sup><\/figcaption><\/figure>\n<\/div>\n\n\n<p>The statuettes may represent Suleiman the Magnificent at two different stages of life, as both young and old. The sultan depicted alongside the winged lion corresponds to a description from a Venetian delegate in 1534, when Suleiman was 43. At that time, he had conquered Iraq from the Safavids and achieved a decisive victory over the Papal fleet at the Battle of Preveza. He was described as having large eyes, an aquiline nose, and long red mustaches\u2014traits visible in Cristofano dell&#8217;Altissimo\u2019s portrait of Suleiman in the Uffizi Gallery in Florence.<\/p>\n\n\n\n<p>Unlike Mehmed II, who commissioned portraits by European artists for diplomatic purposes, Suleiman did not directly order such representations. Instead, his likeness spread through works by artists like Albrecht D\u00fcrer, based on sketches made by diplomats. Following his capture of Belgrade in 1521, his victory over Hungary in 1526, and his siege of Vienna in 1529, Suleiman gained international fame. He was both admired and feared by rulers across Europe and recognized as one of the most illustrious figures of his era.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" width=\"644\" height=\"902\" src=\"https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/2.png\" alt=\"\" class=\"wp-image-2509\" style=\"width:450px;height:auto\" srcset=\"https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/2.png 644w, https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/2-214x300.png 214w\" sizes=\"(max-width: 644px) 100vw, 644px\" \/><figcaption class=\"wp-element-caption\"><sup><sub>Albrecht D\u00fcrer, Head of Suleiman the Magnificent, Mus\u00e9e Bonnat, Bayonne<\/sub><\/sup><\/figcaption><\/figure>\n<\/div>\n\n\n<p>The winged lion and Turkish wolf accompanying the bronzes suggest a political and diplomatic significance, reflecting the complex relationship between Venice and the Ottoman Empire. Despite ongoing territorial disputes and wars, both powers sought peaceful coexistence, driven by the need to sustain trade. Venice and the Ottomans signed multiple treaties during the reigns of Mehmed II and Suleiman. After the Battle of Lepanto in 1571, where the Holy League (including Venice) defeated the Ottoman fleet, relations were strained but soon restored. Venice, prioritizing its economic interests, signed a peace treaty with the Ottomans in 1573, allowing the Serenissima to maintain vital trade routes and Mediterranean stability.&nbsp;<\/p>\n\n\n\n<p>The presence of the winged lion alongside a sultan emphasizes Venice\u2019s intent to foster positive relations with the Ottoman Empire. These bronzes may have been created after one of the many peace treaties between the two powers. Bronzes, sculptures, clocks, and medals were typical diplomatic gifts from Venetian representatives, and these statuettes, symbolizing the close ties between the Serenissima and the Ottoman Empire, were likely presented to an Ottoman ambassador during one of the peace agreements of the 16th century.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" width=\"804\" height=\"1024\" src=\"https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/1-804x1024.jpeg\" alt=\"\" class=\"wp-image-2507\" style=\"width:429px;height:auto\" srcset=\"https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/1-804x1024.jpeg 804w, https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/1-236x300.jpeg 236w, https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/1-768x978.jpeg 768w, https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/1-1206x1536.jpeg 1206w, https:\/\/deibardiart.com\/wp-content\/uploads\/2025\/11\/1.jpeg 1282w\" sizes=\"(max-width: 804px) 100vw, 804px\" \/><figcaption class=\"wp-element-caption\"><sup><sub>Suleiman the Magnificent, after Melchior Lorichs, ca. 1574<\/sub><\/sup><\/figcaption><\/figure>\n<\/div>\n\n\n<p>European perceptions of the Ottomans were complex. While the empire posed a significant threat, as during the siege of Vienna, trade and diplomacy continued to prevail, fostering a lasting cultural exchange between East and West well into the 17th century.<\/p>\n\n\n\n<p>Bibliography:<\/p>\n\n\n\n<p>Bellingeri, Giampiero. &#8220;Turchi e Persiani fra visioni abnormi e normalizzazioni, a Venezia (secoli XV-XVIII).&#8221; In <em>RILUNE \u2014 Revue des Litt\u00e9ratures Europ\u00e9ennes,<\/em> no. 9, \u201cVisions de l\u2019Orient,\u201d edited by Benedetta De Bonis and Fernando Funari, 2015, pp. 14-89<\/p>\n\n\n\n<p>Bevilacqua, Alexander. <em>The Republic of Arabic Letters: Islam and the European Enlightenment.<\/em> Harvard University Press, 2020.<\/p>\n\n\n\n<p>Born, Robert, Michal Dziewulski, and Guido Messling. <em>L&#8217;Empire du Sultan: Le Monde Ottoman dans l&#8217;Art de la Renaissance.<\/em> Lannoo &#8211; Bozar Books.<\/p>\n\n\n\n<p>Etrangers et V\u00e9nitiens dans l\u2019art du XVIIe si\u00e8cle. Milan: Silvana Editoriale, 2018.<\/p>\n\n\n\n<p>Pessa, L. &#8220;Figure di Turchi nell\u2019arte genovese tra XVI e XVII secolo.&#8221; In <em>Turcherie,<\/em> cited in note 98, pp. 40-42.<\/p>\n\n\n\n<p>Renard, Alexis. <em>Turkophilia R\u00e9v\u00e9l\u00e9e: L&#8217;Art Ottoman dans les Collections Priv\u00e9es.<\/em> 14th International Congress of Turkish Art, 2011.<\/p>\n\n\n\n<p>Weihrauch, H.R. <em>Europ\u00e4ische Bronzestatuetten.<\/em> Brunswick, 1967.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>These two rare bronze statuettes represent two figures dressed in elaborate &#8220;Turkish&#8221; attire. They are mounted on alabaster bases with bronze reliefs\u2014one featuring the winged lion of Venice, and the other possibly symbolizing Turkey with a wolf depiction. One figure wears a grand k\u00fclah, a spherical turban with a cone top, signifying royal authority, while [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2497,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"class_list":["post-2514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-works-of-art"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Two Figures in Turkish Attire, Possibly Suleiman the Magnificent at two different ages - Dei Bardi Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/deibardiart.com\/en\/works-of-art\/two-figures-in-turkish-attire-possibly-suleiman-the-magnificent-at-two-different-ages\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Two Figures in Turkish Attire, Possibly Suleiman the Magnificent at two different ages - Dei Bardi Art\" \/>\n<meta property=\"og:description\" content=\"These two rare bronze statuettes represent two figures dressed in elaborate &#8220;Turkish&#8221; attire. 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They are mounted on alabaster bases with bronze reliefs\u2014one featuring the winged lion of Venice, and the other possibly symbolizing Turkey with a wolf depiction. 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